How to Train Your Dragon Movie Review

Ever since I saw the first commercial for this movie, I was expecting greatness. And greatness was delivered.

When I really enjoy a movie, I don’t like to go into detail about it because I like for others to experience the awesome on their own. So, here goes…

This movie, essentially about a boy and his dragon, was a well thought out tale that was surprisingly deep and totally enjoyable. The movie starts off in the middle of a dragon raid– quite dramatic– and never dips from there. The acting is good, the plot is very nice, and the animation was astounding. There is so much detail, I can’t even think about what it was like before animation was this good. The hair

on people’s arms, the fur of their outfits, it was all there. I also really loved the character designs. They were unique, I think. Like Hiccup’s smile– so funny, so perfect.

The flying scenes were stunning and the fighting scenes were intense. The script was good and actually deep; Dreamworks obviously wasn’t afraid of “scaring” children and I love that. I absolutely love it when movie studios take risk with children’s movies– and when they come out as good as this. Some parts brought up some questions that we, in our world of warfare, often have to ask ourselves.

The bonding between Hiccup and his dragon was special. It was sweet and funny and well-timed, never rushed. Night Fury (the dragon) was adorable. Everyone in the theatre was going “aww” along with me. For a kid’s movie, the relationship between Hiccup and his dragon (and also between Hiccup and his father) carry a very important message, that you just cannot judge people without knowing them, that there is always more to a story and that sometimes you may be on the wrong side, even if what you are doing seems right.

 Man alive, this was fantastic.

You know, the movie is nearly two hours long, but it sure didn’t feel that way.

This review is so badly put, but the movie was so good, like I said, I really just want people to experience it for themselves. Before I finish, I just want to say that the ending was amazing. Just– amazing. They took a risk, Dreamworks did, and it added a level of depth to the movie, because in real life people do have to pay for other’s mistakes. Wondering exactly what I mean by that? Well you know how to find out.

And I guarantee, you will not be disappointed.

4/5

Finnikin of the Rock Book Review

Nearly three weeks after I read the book, here we are. For the record, I really like Marchetta’s other works. See what I think of this one and enjoy.

Finnikin of the Rock by Melina Marchetta

 

Before we delve into this review, I must say that this book is rated PG-13 for language, violence and some rather scandalous behavior. If you have questions, feel free to comment.

 

This is the story of Finnikin. Eh. I don’t even know how to do a summary for it. So, I’ll steal one:

“Finnikin of the Rock and his guardian, Sir Topher, have not been home to their beloved Lumatere for ten years. Not since the dark days when the royal family was murdered and the kingdom put undera terrible curse. But then Finnikin is summoned to meet Evanjalin, a young woman with an incredible claim: the heir to the throne of Lumatere, Prince Balthazar, is alive.

Evanjalin is determined to return home and she is the only one who can lead them to the heir. As they journey together, Finnikan is affected by her arrogance… and her hope. He begins to believe he will see his childhood friend, Prince Balthazar, again. And that their cursed people will be able to enter Lumatere and be reunited with those trapped inside. He even believes he will find his imprisoned father.

But Evanjalin is not what she seems. And the truth will test not only Finnikan’s faith in her… but in himself.”

Taken from Wikipedia

Yeah.

So, I started out this book with raised eyebrows because Melina Marchetta usually works her tales out of the fabric of this world, not another. And frankly, I was not surprised when she not only fumbled the ball in terms of plot, but missed every other pass fantasy threw at her: the names of the countries were awkward and garish, the characters layers of grime piled higher and higher and completely unlikable, and the writing average at best, and the world was nothing special or new.

This sounds harsh, but it comes from my knowing the Marchetta is a good writer. I wasn’t expecting too much, because let’s face it, not everyone can write fantasy and very few people can do it well, but I at least expected something average. Not this.

So, let’s talk about my criticisms one at a time. First, plot. Oh, plot. So incredibly important and so often chopped up and left to rot for the sake of humor or random whims. So, from the little summary of the book, you can tell that this is average fantasy plot: rebellion, survival against all odds, special people, countries at war, kings, princes, magic. I’m fine with that. I don’t really expect that kind of stuff to be exceptional, it’s kind of a classic fantasy prerequisite. I do, however, expect the story and the journey woven around that plot to be good. That’s where good writing, good ideas and good concept come into play.

Now, this book had good concept. There were some things in there that I thought were interesting. But those things were mashed up and mixed in with such blah elements that only a smack to the keyboard can describe it:

xerxrgse.

That’s what the plot ended up being. Xerxrgse.  

It was confusing and downright boring at times. I got about 300 pages into the book, decided I couldn’t take the endless traveling and constant indecision anymore and skipped to the end, where everything made perfect sense despite my not having read a large chunk of the book. When that happens, either the reader is very astute, or the story just didn’t need all the steroids you were feeding it to bulk it up. I’m not in any way  (to quote a late teacher or mine) the brightest rock in the rock pool, so I tend to lean towards the latter: the plot just had too much extra side dishes of bleh.

Now let’s move onto characters. Finnikin is our main man here. And I hated him. God, he slept with a whore for absolutely no reason. He bit off a piece of a guy’s ear. Gross! These things may have been put in for “character development” but honestly, they didn’t add to Finnikin at all. He is a bit of a brute and doesn’t manage to change that throughout the story. The female lead is a chick named Evanjalin and she’s alright. Probably my favorite character in the story. She’s got compassion and wits. The only problem was, like the other characters in the book, she had a problem with indecision.

I might have just been imagining it, but it felt like the characters would spend endless amounts of time going somewhere and then change their minds once they reached their destination. Along the way, they would often interact with each other in violent, cruel, or freakish ways. At one point, a young man they rescue tries to rape Evanjalin. It was just awkward on so many levels. Like Finnikin’s random acts of violence (he beats the same kid up rather brutally for little things), I feel like this event had no purpose. It certainly didn’t develop the character at all, expect to show that cruelty breeds cruelty and that Marchetta’s world was full of randomly violent and depraved people. Honestly, I didn’t understand why every single character (with the exception of old men) was like that.

This might’ve meant something in the end if the characters had grown or changed at all, but they didn’t. They were the same old farts the entire way through. The only reason I like Evajalin was because she was civil. I don’t mind uncivilized characters, but the cast of this story was just horribly bland and horribly mean.

Hmm. What else did I have to say about this book? It was dull plot-wise. I didn’t like, or even love to hate, any of the characters save one…was there something else? Well, the ending, I suppose. It was a little predictable but satisfying. Not like, “Wow, that was great” satisfying. More like, “Finally, it’s over and at least she didn’t leave me wondering” satisfying.

I’ll wrap this review up by saying that the romance between, you guessed it, Evanjalin and Finnikin didn’t redeem this book. Marchetta put in some seriously awkward lines between them that weren’t romantic, but like health-class-for-the-first-time gross. It was like, eww, why did she have to mention that? I’m feelin’ icky just remembering. They had one or two sweet moments, but their part of the story followed your average she loves me she loves me not thing and Finnikin tended to range from being all over (sorta) Evanjalin to calling her a liar. Never in the middle, never “aww” inducing, never clever or sweet. Just, bleh. In fact, most of this book was bleh.

My final thoughts are such:Fantasy is like meat.

You’ve got your master chef cooking up the prime roast, perfectly flavored (Tolkien).

You’ve got your street-corner hotdogs, cheap and yummy and addictive (Twilight).

You’ve even got your 99 cent burgers that are okay in moderation (Eragon).  

But then you’ve got your meat knockoffs: tofu.

And that’s where Finnikin falls. It wants to be meat, and as you mush it around in your mouth, you can imagine that it is.

But, at the end of the day, it’s still just tofu, white and alien looking, and it’s just not the real thing.

 

Amazon link

Ri’s Rating: 

QQ/QQQQQ
2/5
 

0. Couldn’t get past chapter one for fear of wanting to kill myself. Book induced suicide…

1: Yuck. Ew. Below Average. Probably didn’t even read the middle and skipped to the end.

2. Ok. Would’ve been better if I’d written the ending and everything else.

3. Not bad at all. Very enjoyable. Quite nice. Recommendable.

4. My kind of book. Near ideal, but something was a little off (annoying names, bad ending, that sort of thing).

5. WOW. Makes me wonder why people watch T.V when this is out there. Really liked it. Don’t expect to see this often.

6 and above. What I want my book to be.  

Norse Praise

Passion of the Great Whale Roads
How sweetly do we sing of you
Be it giant, monster, man or god
We all look to you for courage when our hearts are stolen by the dangers
That lie outside our doors
In darkest of nights we see
Thy shadow on the hills
Tall, wiry, golden strands of sunset streaming;
We feel not shallow emotions
Like hate or lust or fear
Always our hearts grow stouter and enters a glint into our eyes: 
As we sail across the Great Whale Road to lands beyond our shores
There is one we always rally under,
Victory, to me, to me!
Passion Wolves’ Bane Thunder-Bringer
Only you can laugh with Death. 
 

A little praise for my buddy, Norse style.

Why did I write that lovely steaming piece o’ pie? Because she dutifully wrote down all that I had to do for our project and I thought that mighty kind of her. Thanks, buddy!

So, has anybody actually read some real Norse myths, or praise songs? They’re actually pretty intense. For instance, instead of saying ocean like a lame-o, they’d write Great Whale Road. Pretty cool, right?

Norse myths, I would say, make the best stories. I mean, this stuff was the original fantasy and if you want to really get down to the root of all things magical, you’d best start there. Tolkien did. He drew a lot from the old myths. Elves, dwarves, and his complex system of gods, are all in Norse myths. And he writes old saga style too. Actually, if you’re a Tolkien fan, you’d probably really enjoy reading some of the classics.

For the hard-core people, I recommend the Prose Edda, which is pretty much the old myths in a pure, untainted form, as in straight from the mouth of a bard. All they did was translate.

If you’re not as intense, I bought a wonderful books of Norse myths told by Kevin Crossley-Holland, entitled, the Norse Myths. It’s pretty fantastic and leaves in all the wonderfully gritty bits that make the stories so bold.

And if you’re just starting out, I recommend the D’aulaires Book of Norse Myths. They’re toned down for younger children, but they’re quite good. I have their book of Greek myths which I’ve read about a million times. They don’t really cover up the “shocking” aspects, by they tell it in a way that makes it seem less…shocking.

Since you guys are so interested, I might as well give you one more recommendation: The Vicious Vikings by Terry Deary. Honestly, history has never been more interesting. While the author does ask you   to take some of the more rludicrous facts with a grain of salt, it’s funny, interesting and can make a kid love history like that (finger snap).

Okay. Last one. For just one myths to rule them all, you must read Beowulf. And watch the movie, too. Not the wacko half-animated thing (where pretty much the only line was “I am– BEOWULF!”) but the Danish-made one which I hear from my pops is pretty good. It’s on Netflix instant watch, folks…

Anyways, back the book. We’ve got a copy by Seamus Heaney and it’s a bi-lingual version with Old English and English side by side. It’s pretty fun to read and the writing is super intense. It’s written in a style that blurs poetry and prose. Quite fantastic.

I lied. I have one more Norse book, the Sea of Trolls by Nancy Farmer. It’s amazing. It’s sequels suck, but this first book is amazing. For anybody older than nine, it’s a great introduction into the world of the Norsemen. I’ll do a review on it one day and tell you exactly why I like it, but for now, take my word, it’s really good.

So guys, to wrap up all this Norse paraphilia, if you love your classic high-fantasy, you’ll love this stuff. Really. It’s the original quest, the original Rings of Power (no joke), the best dragons, and monsters, and frost giants. It’s great.

And if you like all that, go see Dreamworks’s How to Train Your Dragon on March 26th.  It looks like a fun time. (But don’t read the book.)

Keep on reading guys, and remember:

For the late sleeper, much is lost; wealth is won by the swift

–RI

The Last Olympian Book Review

All year the half-bloods have been preparing for battle against the Titans, knowing the odds are against them. Kronos is stronger than ever, and with every god and half-blood he recruits, his power only grows.

–front flap

Other books in the Percy Jackson and the Olympians series: Book 1, Book 2, Book 3, Book 4, Book 5

Book Five: The Last Olympian

By Rick Riordan

This is the final book in the Percy Jackson series, and by far and away my favorite. It ends all the drama that has been building up the in the past four books. Kronos’s army is ready to attack; the monster Typhon has been released and is wrecking havoc across the Untied States. Deep down, Percy Jackson knows that he and his demigod friends barely stand a chance, especially when everything is balanced precariously on the greatest prophecy to be made in the last century, one that will decide the fate of the gods, and the world.

That’s about as much as I’m going to give away here because you should only be reading this if you’ve read the others and if you’ve read the others, then I think you know what to expect.

And let me tell you, I expected a lot and I was not let down.

It has everything I was looking for: plot, drama, characters, action, a good evil to good guy death ratio, and a satisfying but not cheesy ending. I admit, that’s a lot to have. Most series fail. But Jackson managed to pass, with flying colors no less.

Percy Jackson has grown into my favorite male hero, of any story, ever. As ever, in this final book, he’s funny, romantic, dramatic, exasperated, sarcastic, brave, everything. He’s real character to me, flawed but perfect. Riordan, like Rowling, has done a great job of making Percy grow up into a hero throughout the series.

The other main characters don’t lose their stuff either. I was surprised to see how old friendships and loyalties played out and I think most readers will be too.

This book has some of the best action scenes ever. Percy pulls some seriously wicked moves. It’s a little ridiculous, actually, that he gets to be so cool. At one point, he’s fighting off a bunch of soldiers and Riptide, his sword, is described as (not an exact quote here) an “arc of  pure destruction.” Wicked.

In terms of plot, I would say that Riordan pulled everything together rather nicely. There was the big battles I was looking forward to, the quiet scenes, the dramatic choices, all that jazz. There were some surprises, as I mentioned earlier, and some things that I called, which always makes me happy.

Looking back, I can only think of two bad parts. First, there is a chapter or two (which I won’t name because I fear they might give something away) in the middle of the book that I could have lived without. One is a battle scene that is interesting the first time around but on reading it again, wasn’t totally necessary. It’s a bother, but it doesn’t ruin anything.

Similarly, my second issue was that a couple of the instruments used to manipulate the plot were kind of jerkily placed, and although they didn’t ruin the story, it maybe could have been a bit smoother. For example, we find out early on in the book that Grover has been missing for some time. But Percy doesn’t really mention that until someone else brings it up, and you think that having your best friend missing would’ve been bigger on your list of things to say, but that’s just me.

As a series ender, I think Riordan did a fantastic job balancing the necessary cheesiness with the good stuff. For instance, Percy falls in love, so of course there’s a cute little scene in there with the girl of his choice. Cheesy, but we readers sucked it up. And then, there’s the good stuff, like when Percy creates his own personal hurricane to destroy a titan with. Good stuff.

The final chapters managed to keep things from getting to…passive. What I mean by that is Riordan didn’t just have Percy give me the run down on everything that happened after the big battle. No wrap ups and we all lived happily ever after kind of stuff.  We lived all the important moments, got to experience everything. And by keeping things current, it kept the story fresh and interesting.

And you know what was really good about this? That some of the good guys died. I won’t say who, just that some do. Which is important because it keeps things real. Good guys, bad guys, traitors, and in-betweeners—everyone takes a hit and it comes off great.

I think I’ve rambled on long enough, so let me just wrap things up. Percy Jackson is one of my favorite book series. It’s exciting and fresh. It takes old concepts, like Greek gods, and weaves them seamlessly into our world. The characters are fun, and Percy is an excellent narrator. Riordan has done a spot on job of tying things together in this final installment, managing to give me everything I was hoping for, and creating a story that I will never ever forget.

Amazon link.

Ri’s Rating:

QQQQ/QQQQQ
4/5

0. Couldn’t get past chapter one for fear of wanting to kill myself. Book induced suicide…

1: Yuck. Ew. Below Average. Probably didn’t even read the middle and skipped to the end.

2. Ok. Would’ve been better if I’d written the ending and everything else.

3. Not bad at all. Very enjoyable. Quite nice. Recommendable.

4. My kind of book. Near ideal, but something was a little off (annoying names, bad ending, that sort of thing).

5. WOW. Makes me wonder why people watch T.V when this is out there. Really liked it. Don’t expect to see this often.

6 and above. What I want my book to be.

A Feminist’s Take on Avatar

There is something about the classic fairytale story that really speaks to me. I love the idea of princesses being saved by farm-boys-turned adventurers. It’s classic, romantic and sweet.

But there is a legion of women out there who disagree with me. They say, “Why should the woman have to be rescued? Why can’t she be the hero? It’s so wrong! It’s so sexist.” And so the dreaded word emerges. Sexism. Discrimination based on one’s gender. This group of women are not happy until women are treated just like men, until every damsel in distress learns to save herself. On most levels, I agree with that. Why shouldn’t women fend for themselves?

However, I often ask myself the question, why not? They say, “Why can’t she be the hero,” and I say, why shouldn’t she be the princess? I don’t understand what is so wrong with a girl being saved by a guy, in any fashion.

For instance, if someone gave me a choice between being a married working mom or a married stay-at-home mom, I’d chose the latter. Not because I don’t think women should work, but because that suits my lifestyle perfectly. If someone wants to take care of me, I’m not going to say no. Most writers need a second job anyways, and I’m perfectly fine if my husband is the one working it.

Yet, a life like that in this day and age of starkly independent women may seem complacent and shocking, but I think what really matters, as with most things, is circumstance.

For instance, just because being a stay-at-home mom would be easier for me doesn’t mean I’m not going to maintain my excellent grades, get into my Ivy League school, and change the world. I could just, you know, be doing it from home. Like I said, circumstance.

How is a stay-at-home mom’s job worth any less than the business mom? Who am I to say who works more, who is more modern or independent and who is succumbing to traditional ideals. As our society turns away from the nuclear family, then technically, the working mom is going to become traditional.

I believe that women should do whatever they like and nobody, not men, and especially not other women, should tell them what is right and proper.

And that’s why I was so shocked when I read this story about the women in Avatar. Apparently, it wasn’t good enough that Neytiri was a total bad-A because it was Jake in the end who brought everyone together and saved the day. Pretty much, the author was saying that the script bought in too many traditional female ideals. Um,wait. I don’t think so. Wasn’t it a bunch of men who caused the problem? Wasn’t it Neytiri who saved Jake’s life in the end? Isn’t Neytiri’s mother equal in power with her father?

I understood the author’s point, but I didn’t quite get why she was making it. I mean, I honestly can’t see the harm in having females primarily as supporting characters. Especially since each one of those girls was quite powerful and in my opinion, the epitome of the modern woman.  The story wouldn’t have been the same if it had been a woman in Jake’s place and that’s that.

In the end, how central the female characters are doesn’t matter. It’s who they are that really counts. Don’t people complain just as much when a weak female is the lead, like for instance, Snow White? It’s the essence, the message that women can be just as strong as men, that matters and frankly, it doesn’t matter where it’s coming from– just as long as it’s there.

So women who are reading this, take a moment to think to yourself: is being rescued by a knight (male or female, it doesn’t matter to me) in shining armor really all that bad? Like Neytiri, is being the change in someone’s life such a horrible thing?

Being a modern woman means being equal, not dominant, and we’ve got a pretty good mix of leading ladies and men in the media these days.

Don’t complain; being saved isn’t a bad thing. It’s not taking advantage of opportunities and setting yourself up to be in a position where people constantly need to be saving you that you are undoing years of women activits’ work.

Take charge of your life and give it direction;whether you end up a CEO or a soccer mom, it’s your happiness that matters. Understand that you are a woman and you deserve equal treatment, but don’t let that stop you from finding true love, getting married or having kids.

Being a modern woman isn’t bad, but then again, neither is getting swept off your feet. Just make sure that you know when to plant them firmly on the ground, because that kind of balance, my friends, is how we are to truly find our happily ever afters.

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